Saturday, April 11, 2026

The Distance of a Shout by Michael Ondaatje

The Distance of a Shout

 
We lived on the medieval coast
south of warrior kingdoms
during the ancient age of the winds
as they drove all things before them.
 
Monks from the north came
down our streams floating—that was
the year no one ate river fish.
 
There was no book of the forest,
no book of the sea, but these
are the places people died.
 
Handwriting occurred on waves,
on leaves, the scripts of smoke,
a sign on a bridge along the Mahaweli River.
 
A gradual acceptance of this new language.



Saturday, April 4, 2026

Tender Bitter by Sharon Olds

Tender Bitter

 
When I started having tender thoughts about
myself as a child—that long, pointed
chin, those tiny eyes—I started having
tender thoughts of my mother. She would look
up, a lot—short for an adult—
with a look of dazed longing, her fine
straight hair wrapped wet around
many small rollers, and bound back with combs
put in backward, to give her hair
some height, or with a fillet like a goddess. My hair was
loopy, soft, lollopy like
flop-eared rabbits’ ears, she wrote
about it in my Baby Book, “Shar’s
not conventionally beautiful—but that
naturally curly hair!” I don’t think she would have
traded with me, she remembered her cold
Pilgrim mother, in my mom’s sleep,
slipping the bobby-pins out of the dreaming child’s
spit curls. We were big on trading—you were
supposed to want to take Jesus’s place
on the cross, as he had taken yours. I think
my mother would have died for me—
and I think I would have died for her—
is that how the other animals do it? Who
dies for whom? My mom sometimes
liked my mind—the odd things
I said—she would write about my mind in my pink
Baby Book. She came from ignorant
educated people of self-importance
and leisure. She did not see that what I
said was funny, like joking, it was
metaphor. But it charmed her. She would not have
taken it from me, she would not have known
what to do with it, nor did she want to
mar me, as her mother had marred her. My mother . . .
loved me. If she had not beaten me,
I would have been purely enamored with her—she was so
sad, and pretty. Her eyes were a hundred
bright bright blues, like a butterfly’s scales
but crystal electric, like a shattered turquoise goblet.
She did not take away my ability
to love—with her elder sister, and my elder
sister, she taught it to me. And she did not
take my mind—the one thing
of value I was born with—my mother did not
take the simile away from me.



Friday, April 3, 2026

Bruise by Cynthia Zarin

Bruise

 
          Black bruise an inch
below my knee; white bone, my
     kneecap wrenched askew;
 
          knee a blind eye, bruise
a shiner, the pair of them two
     goggle-eyes, bridged by
 
          a shiny, half-moon scar.
A battered aviatrix? She
     flies above a dream island.
 
          At three, I fell from
a knee-high curb. Mind yourself,
     I hear the voices say,
 
          when decades later,
in the bath, my knee, drowned
     face, knucklehead, rises
 
          above the water table,
volcano with its violet flame.
     Bedpost? Doorjamb?
 
          The hours last week
turned to glass? And if asked
     to swear to it, say
 
          what’s to blame?
The mind trolls, reels back,
     and begins, and begins
 
          again to prove how if
I’d only done that one thing—
     but there are so many.



Wednesday, April 1, 2026

Dear America by Rachel Eliza Griffiths

Dear America

 
I pick you up
& you are a child made of longing
clasped to my neck. Iridescent,
lovely, your inestimable tantrums,
I carry you back & forth
from the famine in your mind.
 
Your alphabet wraps itself
like a tourniquet
around my tongue.
 
Speak now, the static says.
 
A half-dressed woman named Truth
tells me she is a radio.
 
I’m going to ignore happiness
& victory.
I'm going to undo myself
with music.
 
I pick you up
& the naked trees lean
into the ocean where you arrived,
shaking chains & freedom
from your head.
 
No metaphor would pull you
out of your cage.
 
Light keens from the dead.
& I’m troubled
by my own blind touch.
 
Did the ocean release
my neck? Did the opal waves
blow our cries to shore?
 
You don’t feel anything
in the middle of the night.



Sunday, March 22, 2026

The Road by Muriel Rukeyser

The Road

 
These are roads to take when you think of your country
and interested bring down the maps again,
phoning the statistician, asking the dear friend,
 
reading the papers with morning inquiry.
Or when you sit at the wheel and your small light
chooses gas gauge and clock; and the headlights
 
indicate future of road, your wish pursuing
past the junction, the fork, the suburban station,
well-travelled six-lane highway planned for safety.
 
Past your tall central city’s influence,
outside its body: traffic, penumbral crowds,
are centers removed and strong, fighting for good reason.
 
These roads will take you into your own country.
Select the mountains, follow rivers back,
travel the passes. Touch West Virginia where
 
the Midland Trail leaves the Virginia furnace,
iron Clifton Forge, Covington iron, goes down
into the wealthy valley, resorts, the chalk hotel.
 
Pillars and fairway; spa; White Sulphur Springs.
Airport. Gay blank rich faces wishing to add
history to ballrooms, tradition to the first tee.
 
The simple mountains, sheer, dark-graded with pine
in the sudden weather, wet outbreak of spring,
crosscut by snow, wind at the hill’s shoulder.
 
The land is fierce here, steep, braced against snow,
rivers and spring. king coal hotel, Lookout,
and swinging the vicious bend, New River Gorge.
 
Now the photographer unpacks camera and case,
surveying the deep country, follows discovery
viewing on groundglass an inverted image.
 
John Marshall named the rock (steep pines, a drop
he reckoned in 1812, called) Marshall’s Pillar,
but later, Hawk’s Nest. Here is your road, tying
 
you to its meanings: gorge, boulder, precipice.
Telescoped down, the hard and stone-green river
cutting fast and direct into the town.
 


Sunday, February 22, 2026

White Dog by Carl Phillips

White Dog

 

First snow—I release her into it—

I know, released, she won't come back.

This is different from letting what,

 

already, we count as lost go. It is nothing

like that. Also, it is not like wanting to learn what

losing a thing we love feels like. Oh yes:

 

I love her.

Released, she seems for a moment as if

some part of me that, almost,

 

I wouldn't mind

understanding better, is that

not love? She seems a part of me,

 

and then she seems entirely like what she is:

a white dog,

less white suddenly, against the snow,

 

who won't come back. I know that; and, knowing it,

I release her. It's as if I release her

because I know.




Saturday, February 14, 2026

Under Limestone by Richie Hofmann

Under Limestone

 
It rained in fluted torrents,
the earth smelled of manure.
It was like desire
entering and possessing you quietly.
We undressed.
The sun through the windows made shapes
on the couch I lay face down on.
Our jeans were soaked
and wrinkled on the radiator, our socks heavy.
Then your eyes were opening a little.
Then you could hear the mopeds starting up again.
When it was dry enough, we found a small bistro
where we had prosecco and fries,
and took pictures of one another in our damp clothes
under trees and buildings
of the hated regime.