Saturday, April 9, 2016

Late Ripeness by Czesław Miłosz


Late Ripeness

Not soon, as late as the approach of my ninetieth year, 
I felt a door opening in me and I entered 
the clarity of early morning.

One after another my former lives were departing, 
like ships, together with their sorrow.

And the countries, cities, gardens, the bays of seas 
assigned to my brush came closer, 
ready now to be described better than they were before.

I was not separated from people, 
grief and pity joined us. 
We forget—I kept saying—that we are all children of the King.

For where we come from there is no division 
into Yes and No, into is, was, and will be.

We were miserable, we used no more than a hundredth part 
of the gift we received for our long journey.

Moments from yesterday and from centuries ago— 
a sword blow, the painting of eyelashes before a mirror 
of polished metal, a lethal musket shot, a caravel 
staving its hull against a reef—they dwell in us, 
waiting for a fulfillment.

I knew, always, that I would be a worker in the vineyard, 
as are all men and women living at the same time, 
whether they are aware of it or not.

(Translated by Robert Hass)



Friday, April 8, 2016

Vanitas by Richie Hofmann


Vanitas

In my dream about death, I come upon a hill,
silhouetted, and draw back behind the darkening
of a sheltered niche. There, upright in rows

of wooden chairs, the dead, their bodies still,
stare forward like children at school. Sitting
near the front, a teacher I’d once had, in a pose

from a Puritan portrait: his hair cropped,
conservative, in strands the color of ash;
his hands are folded loosely in his lap.

The surviving sun polishes a map
of light upon the grass, the sky unlashed
like leaves. Another flash drops,

brindled, across his face. He does not look
at me, but unfolds his hands and tugs gently
at my sleeve, confesses no one can remit

his crimes—mine also; that death, as from a book,
had torn the pages of years; that this memento mori
was not his life as he had left it.



Thursday, April 7, 2016

Some Say by Maureen N. McLane


Some Say

Some say a host
of horsemen, a horizon
of ships under sail
is most beautiful &
some say a mountain
embraced by the clouds &
some say the badass
booty-shakin’ shorties
in the club are most
beautiful and some say
the truth is most
beautiful dutifully singing
what beauty might
sound under stars
of a day. I say
what they say
is sometimes
what I say
Her legs long
and bare shining
on the bed the hair
the small tuft
the brown languor
of a long line
of sunlit skin I say
whatever you say
I’m saying is beautiful
& whither truth beauty
and whither whither
in the weather of an old day
suckerpunched by a spiral
of Arctic air blown
into vast florets of ice
binding the Great Lakes
into a single cracked sheet
the airplanes fly
unassuming over     O they eat
and eat the steel mouths
and burn what the earth
spun eons to form
Some say calamity
and some catastrophe
is beautiful     Some say
porn     Some jolie laide
Some say beauty
is hanging there at a dank bar
with pretty and sublime
those sad bitches left behind
by the horsemen



Tuesday, April 5, 2016

Much Better Than a Goat by Gerald Stern


Much Better Than a Goat

Much better than a goat it was to drop
an anarchist from a Park Row window
because he wouldn’t confess to federal agents.
He fell to his death while sitting on the windowsill
holding a pamphlet close to his eyes and maybe
waving his arm in appreciation, and no one
heard him screaming — they were wearing earmuffs
or just they forgot to bring their earpieces
but it was nothing, he was a fiend and a cutthroat
and he would have murdered Rockefeller if he had the chance,
for which reason I have locked my front door
for I can’t find a rat trap big enough.

 

Duende by Tracy K. Smith


Duende

1.

The earth is dry and they live wanting.
Each with a small reservoir
Of furious music heavy in the throat.
They drag it out and with nails in their feet
Coax the night into being. Brief believing.
A skirt shimmering with sequins and lies.
And in this night that is not night,
Each word is a wish, each phrase
A shape their bodies ache to fill—

            I’m going to braid my hair
       Braid many colors into my hair
            I’ll put a long braid in my hair
       And write your name there

They defy gravity to feel tugged back.
The clatter, the mad slap of landing.


                                    2.

And not just them. Not just
The ramshackle family, the tíos,
Primitos, not just the bailaor
Whose heels have notched
And hammered time
So the hours flow in place
Like a tin river, marking
Only what once was.
Not just the voices of scraping
Against the river, nor the hands
Nudging them farther, fingers
Like blind birds, palms empty,
Echoing. Not just the women
With sober faces and flowers
In their hair, the ones who dance
As though they’re burying
Memory—one last time—
Beneath them.
                        And I hate to do it here.
To set myself heavily beside them.
Not now that they’ve proven
The body a myth, a parable
For what not even language
Moves quickly enough to name.
If I call it pain, and try to touch it
With my hands, my own life,
It lies still and the music thins,
A pulse felt for through garments.
If I lean into the desire it starts from—
If I lean unbuttoned into the blow
Of loss after loss, love tossed
Into the ecstatic void—
It carries me with it farther,
To chords that stretch and bend
Like light through colored glass.
But it races on, toward shadows
Where the world I know
And the world I fear
Threaten to meet.

                                    3.

There is always a road,
The sea, dark hair, dolor.

Always a question
Bigger than itself—

            They say you’re leaving Monday
            Why can’t you leave on Tuesday?




Monday, April 4, 2016

An Imaginary City by Mahmud al-Braykan

An Imaginary City

I entered it in one of my travels
A silent city
No trace of the living
Doors shut
The wind playing in its squares
But its window lights
Were on all night
Who switches them on?
I saw roses in the gardens
Their necks tilted
A children’s playground
In ruins
I knocked at doors
I called out
Have they all died?
Did they depart?
What magic spell turned them into invisible beings?

Suddenly I saw the shadow of a woman
on a marble platform
fidgeting slowly
trying to wake up
I said: “Eve,
do you know who I am?
Adam”
But she didn’t understand the language

(Translated by Sinan Antoon)



Sunday, April 3, 2016

All Their Stanzas Look Alike by Thomas Sayers Ellis


All Their Stanzas Look Alike

All their fences
     All their prisons
All their exercises
     All their agendas
All their stanzas look alike
     All their metaphors
All their bookstores
     All their plantations
All their assassinations
     All their stanzas look alike
All their rejection letters
     All their letters to the editor
All their arts and letters
     All their letters of recommendation
All their stanzas look alike
     All their sexy coverage
All their literary journals
     All their car commercials
All their bribe-spiked blurbs
     All their stanzas look alike
All their favorite writers
     All their writing programs
All their visiting writers
     All their writers-in-residence
All their stanzas look alike
     All their third worlds
All their world series
     All their serial killers
All their killing fields
     All their stanzas look alike
All their state grants
     All their tenure tracks
All their artist colonies
     All their core faculties
All their stanzas look alike
     All their Selected Collecteds
All their Oxford Nortons
     All their Academy Societies
All their Oprah Vendlers
     All their stanzas look alike
All their haloed holocausts
     All their coy hetero couplets
All their hollow haloed causes
      All their tone-deaf tercets
All their stanzas look alike
      All their tables of contents
All their Poet Laureates
      All their Ku Klux classics
All their Supreme Court justices
      Except one, except one
Exceptional one. Exceptional or not,
      One is not enough.
All their stanzas look alike.
      Even this, after publication,
Might look alike. Disproves
      My stereo types.