Sunday, June 12, 2016

The Gas-poker by Thom Gunn


The Gas-poker

Forty-eight years ago
—Can it be forty-eight
Since then?—they forced the door
Which she had barricaded
With a full bureau’s weight
Lest anyone find, as they did,
What she had blocked it for.

She had blocked the doorway so,
To keep the children out.
In her red dressing-gown
She wrote notes, all night busy
Pushing the things about,
Thinking till she was dizzy,
Before she had lain down.

The children went to and fro
On the harsh winter lawn
Repeating their lament,
A burden, to each other
In the December dawn,
Elder and younger brother,
Till they knew what it meant.

Knew all there was to know.
Coming back off the grass
To the room of her release,
They who had been her treasures
Knew to turn off the gas,
Take the appropriate measures,
Telephone the police.

One image from the flow
Sticks in the stubborn mind:
A sort of backwards flute.
The poker that she held up
Breathed from the holes aligned
Into her mouth till, filled up
By its music, she was mute.


 

Friday, June 10, 2016

The Door Was Open and the House Was Dark by Seamus Heaney


The Door Was Open and the House Was Dark

The door was open and the house was dark
Wherefore I called his name, although I knew
The answer this time would be silence

That kept me standing listening while it grew
Backwards and down and out into the street
Where as I'd entered (I remember now)

The streetlamps too were out.
I felt, for the first time there and then, a stranger,
Intruder almost, wanting to take flight

Yet well aware that here there was no danger,
Only withdrawal, a not unwelcoming
Emptiness, as in a midnight hangar

On an overgrown airfield in late summer.



Thursday, June 9, 2016

Haiku by James Shea


Haiku

Upon Kissing You After You Vomited.
Upon Walking You Home and You Pissing
in Your Pants. Upon Asking a Complete Stranger
about Our Situation. Upon Reading Issa’s
Prescripts “Issa in a State of Illness,”
“At Being Bewildered on Waking” and Realizing
the Haiku Poets Were Not So Laconic and How
Could They Be? Poem Before Dying. Poem
Shortly Before I Head to Dinner. Poem in Which
I Enter Drops of Dew Like a Man with Tiny Keys.
Hitomaro has a poem called On Seeing
the Body of a Man Lying Among the Stones
on the Island of Samine in Sanuki Province.
Kanyu’s short poem is called A Poem
Shown to My Niece Sonshō on Reaching
the Barrier of the Ran After Being Relegated
to an Inferior Position. Poem Louis Aragon
Would Be Proud Of. Poem I’ll Never Show You.
Poem Written in a Bugs Bunny Cartoon as the
Plane’s Controls Come Off in My Hands. Poem
that Jerks Around Like a Hamster in a Bag. Bashō
wrote a haiku for his students that he claimed
was his death poem. The night before
he said that for the last 20 years every poem
he had written had been his death poem. Upon
No Longer Recalling My Thoughts When I Was a Boy
Within My Father’s Stare. At Being Exhausted
at Having to Explain Why Using Slang
Is More Fun Than Reading a Dictionary of Slang.
The poet Saikaku once wrote 23,500 verses
in 24 hours. Bashō saw Mt. Nikkō and said,
“I was filled with such awe that I hesitated
to write a poem.” Upon Looking Past You
into the Mattress, into the Faces of Prior Lovers.
Upon Trying to Cultivate My Inner Life While
also Killing My Ego. On Watching
a 200 pd. Endangered Orangutan
Rape My Wife While She Shouts at Me
Not to Shoot Him. On Seeing a Bloodshot
Spanish Boy Who Was Not Even Crying He Was So Sad
and Not Even Crying He Was So Sad. Poem
in Which I Embody a Moment So Vividly, So
Succinctly, Yet Decorate It with Such Sills,
Such Elaborations. Upon Doodling Your Name
Which Became Your Face Emerging From Day-Old
Coals. Upon Reading that Bashō Believed “A Haiku
Revealing 70 to 80% of Its Subject Is Good, Yet
Those Revealing 50 to 60% Will Never Bore Us.”
On Finally Leaving My Attic and Hearing English
for the First Time in 20 Years and It Sounding
Like an Animal’s Cry Before It Attacks. Poem
in Response to Flying all the Way to Rome
to Meet You and Being Dumped at the Airport.
Poem about the Next Two Weeks We Spent Together.
Poem as I Sit on This Curb with My Head
in My Hands. Poem After Learning the Japanese
Word for the Simultaneous Feeling of Love
and Hatred. Poem for the Mountain at the End
of My Street. Poem in Response to Some of My
Recent Poems that Seem to Have Been Written
Inside an Aquarium. On Spending a Week in Silence
at a Monastery and Not Being Allowed Pen or Paper.
On Meditating and Feeling Like I Was a Blue Flame.
On Getting Up and Scribbling Something in the Bathroom.
On Stopping at the Train Tracks and Having a Deer
Break His Head Through My Passenger Window,
Stare at Me, and Then Run Back into the Wood.


 

Wednesday, June 8, 2016

A Woman’s Letter by Radmila Lazić


A Woman’s Letter

I don’t want to be obedient and tame.
Coddled like a cat. Faithful like a dog.
With a belly to my teeth, hands in the dough,
Face covered with flour, my heart a cinder
And his hand on my ass.

I don’t want to be a welcome flag at his door,
Nor the guardian snake under his threshold,
Neither the snake nor Eve from Genesis.

I don’t want to pace between the door and the window,
To listen hard and be able to distinguish
Footsteps from night-sounds.
I don’t want to follow the leaden movement of the watch-hands,
Nor see falling stars
For him to gore me drunkenly like an elephant.

I don’t want to be sewn with needlepoint
To the family portrait
Next to the fireplace with balled up children,
In the garden with puppy children,
And I the shade tree,
And I the winter landscape,
A statue under the snow.
In a pleated wedding dress
I’ll fly to heaven.

Alleluia! Alleluia!
I don’t want a bridegroom.

I want gray hair, a hump and a basket
To go roaming in the woods,
Picking strawberries and dry twigs.

With my whole life behind me,
The smile of that boy,
So dear and irreplaceable.

(Translated by Charles Simić)


 

Tuesday, June 7, 2016

Love Poem by Audre Lorde

Love Poem

Speak earth and bless me with what is richest
make sky flow honey out of my hips
rigid as mountains
spread over a valley
carved out by the mouth of rain.

And I knew when I entered her I was
high wind in her forests hollow
fingers whispering sound
honey flowed         
from the split cup
impaled on a lance of tongues
on the tips of her breasts on her navel
and my breath
howling into her entrances
through lungs of pain.

Greedy as herring-gulls
or a child
I swing out over the earth
over and over
again.



Monday, June 6, 2016

Spring Day by John Ashbery


Spring Day

The immense hope, and forbearance 
Trailing out of night, to sidewalks of the day 
Like air breathed into a paper city, exhaled 
As night returns bringing doubts 
That swarm around the sleeper’s head 
But are fended off with clubs and knives, so that morning 
Installs again in cold hope 
The air that was yesterday, is what you are, 
In so many phases the head slips from the hand. 
The tears ride freely, laughs or sobs: 
What do they matter? There is free giving and taking; 
The giant body relaxed as though beside a stream 
Wakens to the force of it and has to recognize 
The secret sweetness before it turns into life— 
Sucked out of many exchanges, torn from the womb, 
Disinterred before completely dead—and heaves 
Its mountain-broad chest. “They were long in coming, 
Those others, and mattered so little that it slowed them 
To almost nothing. They were presumed dead, 
Their names honorably grafted on the landscape 
To be a memory to me. Until today 
We have been living in their shell. 
Now we break forth like a river breaking through a dam, 
Pausing over the puzzled, frightened plain, 
And our further progress shall be terrible, 
Turning fresh knives in the wounds 
In the gulf of recreation, that bare canvas 
As matter-of-fact as the traffic and that day’s noise.” 
The mountain stopped shaking; its body 
Arched into its own contradiction, its enjoyment, 
As far from us lights were put out, memories of boys and girls 
Who walked here before the great change, 
Before the air mirrored us, 
Taking the opposite shape of our effort, 
Its inseparable comment and corollary 
But casting us further and further out. 
Wha—what happened? You are with 
The orange tree, so that its summer produce 
Can go back to where we got it wrong, then drip gently 
Into history, if it wants to. A page turned; we were 
Just now floundering in the wind of its colossal death. 
And whether it is Thursday, or the day is stormy, 
With thunder and rain, or the birds attack each other, 
We have rolled into another dream. 
No use charging the barriers of that other: 
It no longer exists. But you, 
Gracious and growing thing, with those leaves like stars, 
We shall soon give all out attention to you.
  

 

Sunday, June 5, 2016

The Muse by Anna Akhmatova


The Muse

All that I am hangs by a thread tonight
as I wait for her whom no one can command.
Whatever I cherish most—youth, freedom, glory—
fades before her who bears the flute in her hand.

And look! she comes . . . she tosses back her veil,
staring me down, serene and pitiless.
“Are you the one,” I ask, “whom Dante heard dictate
the lines of his Inferno?” She answers: “Yes.”

(Translated by Stanley Kunitz with Max Hayward)