Monday, January 31, 2022

Philosophical Flowers by Richie Hofmann

Philosophical Flowers

The streets are named for German poets
in my huge provincial Midwestern city.
Dust whirls up from the tires of passing cars,
lifting a veil over me, like Romantic longing. On Goethe, I want nothing 
more than to reach down and feel a lover’s big skull
in my hands. On Schiller, lust subsides, among the wrought iron
doors and grand steps, lined with hundreds of dollars of candles. 
Inside, patricians mingle in the high-minded friendships
I desire for myself. About this, as so much else,
the flowers in the window-boxes on Schiller are philosophical.
Their arguments are convoluted, but concern the beauty of simplicity, freedom from need,
and, even more often, the depredations of time.
One fat peony speaks as if she were the Sybil:
“Live with your century but do not be its creature.”

Sunday, January 30, 2022

Sermons of Mud by Ishion Hutchinson

Sermons of Mud

They shovelled the long trenches day and night.
Frostbitten mud. Shellshock mud. Dungheap mud. Imperial mud.
Venereal mud. Malaria mud. Hun bait mud. Mating mud.
1655 mud: white flashes of sharks. Golgotha mud. Chilblain mud.
Caliban mud. Cannibal mud. Ha ha ha mud. Amnesia mud.
Drapetomania mud. Lice mud. Pyrexia mud. Exposure mud. Aphasia mud.
No-man’s-land’s-Everyman’s mud. And the smoking flax mud.
Dysentery mud. Septic sore mud. Hog pen mud. Nephritis mud.
Constipated mud. Faith mud. Sandfly fever mud. Rat mud.
Sheol mud. Ir-ha-cheres mud. Ague mud. Asquith mud. Parade mud.
Scabies mud. Mumps mud. Memra mud. Pneumonia mud.
Mene Mene Tekel Upharsin mud. Civil war mud.
And darkness and worms will be their dwelling-place mud.
Yaws mud. Gog mud. Magog mud. God mud.
Canaan the unseen, as promised, saw mud.
They resurrected new counter-kingdoms,
by the arbitrament of the sword mud.


Saturday, January 29, 2022

R.I.P, My Love by Tory Dent

R.I.P, My Love

Let us be apart then like the panoptical chambers in IC
patient X and patient Y, our names magic markered hurriedly on cardboard
and taped pell-mell to the sliding glass doors, "Mary", "Donald", "Tory";
an indication that our presence there would prove beyond temporary, like snow flurry.
Our health might be regained if aggressive medical action were taken, or despite
these best efforts, lost like missing children in the brambles of poor fortune.
The suffering of another's I can only envision through the mimesis of my own,
the alarming monitor next door in lieu of a heartbeat signifying cardiac arrest,
prompts a scurry of interns and nurses, their urgent footsteps to which
I listen, inert and prostrate, as if subject to the ground tremors of
a herd of buffalo or horses, just a blur in the parched and post-nuclear distance.
I listen, perhaps the way the wounded will listen to the continuing war,
so different sounding than before, the assault of noise now deflected against
consciousness rather than serving as motivation for patriotism and targets.
Like fistfuls of dirt loaded with pebbles and rocks thrown at my front door,
I knew that the footsteps would soon be running to me also.
The blood pressure cuff swaddled around my arm pumped in its diastolic state
independently like an iced organ ready for transplant
as I witnessed with one circular rove of my eyes my body now dissected
into television sets, like one of those asymmetrical structures
that serves as a model for a molecular unity in elementary science classes.
And the plastic bags of IV fluids that hung above me, a Miró-like mobile or iconic toy
for an infant's amusement, measured the passing of time by virtue of their depletion.
Sometimes I could count almost five and then seven swinging vaguely above me at 4 am.
I remember the first, hand-held high above me when I arrived via ambulance at the ER,
the gurney accelerating as a voice exclaims on the color of my hands "they're blue!".
Another voice (deeper) virtually yells out into the chaos that she can't get a pulse.
Several pairs of scissors begin simultaneously to cut off my clothes, their shears
working their way upward like army ants from pant cuff and shirt-sleeve,
a formulaic move for the ER staff which, despite its routine, still retains
a sense of impromptu in the hurriedness of the cutting both deft and crude,
in the sound of their increased breathing, of their efforts intensified by my blood
pressure dropping, the numbers shouted out as if into night fog and ocean.
It's not a lack of professionalism but the wager of emotional investment that I feel.
One attendant, losing her aplomb for a moment, can't contain herself from remarking
(as if I'm already post-mortem) on what a great bra I have;
"Stretch lace demi-cup, Victoria's Secret," I respond politely in my head.
In turn, when they put the oxygen tube into my nose I thought immediately
of Ali McGraw on her death bed in Love Story and how good she looked in one.
And then the catheter where I pissed continually into a bottle like a paraplegic
let me in on the male fear of castration
my focus centered entirely on that tube, its vulnerable rigging
which I held onto tenderly throughout the night like something dying
against my thigh or something birthing. I held on though the IV in my forearm
overextended with a kind of pleading, the needle hooked deep into a mainstream vein
the way in deep sea fishing lines are cast into the darkest water,
my body thrashing about in the riverweed of its fluids.
The translucent infrastructure of IVs and oxygen tubes superimposed itself upon me
like a body double, more virulent and cold, like Leda pinned and broken by her swan,
like the abandoned and organ-failed regarding its superior soul ascend.
So completely and successfully reconfigured within its technological construct
my body proper no longer existed, my vital signs highlighted in neon
preceded the spiraling vortex of my interiority,
the part of me people will say later that that's what they loved
when they roam about in the cramped rare book library of their memory
for a couple of minutes and think of "Tory".
Movement can only be accounted in shadows, Virilio informs us,
the reconciliation of oneself in one's disappearance.
An anachronistic sundial, I turn my profile
and the fluorescence falls unfractured, unmediated onto the postmodern tenebrism
of absence against absence, my quickened inhalations against my backless gown.
My love for you, my love, for my friends, untethers and floats,
snaps apart and off me like the I.V. tubes and monitor wires
the flailed arms of an octopus unfolding without gravity,
as I reach up in a Frankensteinian effort to shut off my monitors,
the constant alarming of the human prototype my own body keeps rejecting,
while death moves closer, a benign presence.
It stands respectfully just outside the perimeters of my life
and adjusts itself the way the supervising nurse did the monitor perimeters
to suit my declining vital signs so I could get some sleep.
I felt a relationship with death, a communication, it was more familiar
than I ever imagined, what I had always returned to as the sign of me, the self
we attribute to the mysterious and perfectly ordered Romantic notion of origin.
What I'm trying to say is that it was not foreign. It was not foreign,
but it was not a homecoming either.
There was no god, no other land, no beyond;
no amber, no amethyst, no avatar.
But there was a suspension, there was an adieu to recognition
to the shoes of those I love, like Van Gogh's, a pair but alone
the voices of loved ones, their tones, their intonations, like circulation,
closed-circuited but effective.
There was a listless but clear-thinking comfort that into my own eyes
I would go, although not "into" in the Bachelardian sense
which implies diminishment; there was none of that.
It was just the opposite: expansion but without a pioneer's vision.
What we regard as the "self" extended itself, but I wouldn't say in a winged way,
over the Bosch-like landscape of brutal interactions
and physical pain and car alarms and the eternal drilling of disappointment
the exigent descendence of everyday that everyday you peer down or up
its daunting staircase, nauseous with vertigo
gathering like straw the rudimentary characteristics of courage, gumption, innovation
and faking it to the hilt like a hilarious onslaught of sham orgasms.
Transcendence might be the term Emerson would lend it.
What I'm trying to say is that it wasn't lonely.

Friday, January 28, 2022

When My Brother Fell by Essex Hemphill

When My Brother Fell

When my brother fell
I picked up his weapons
and never once questioned
whether I could carry
the weight and grief,
the responsibility he shouldered.
I never questioned
whether I could aim
or be as precise as he.
He had fallen,
and the passing ceremonies
marking his death
did not stop the war.
Standing at the front lines
flanked by able brothers
who miss his eloquent courage,
his insistent voice
urging us to rebel,
urging us to not fear embracing
for more than sex,
for more than kisses
and notches in our belts.
Our loss is greater
than all the space
we fill with prayers
and praise.
He burned out
his pure life force
to bring us a chance
to love ourselves
with commitment.
He knew the simple
spilling of seed
would not be enough
to bind us.

Leviathan by Timothy Donnelly


My citizenship is most acutely
felt at night when I entrust myself
into the dark and sulfury confusion
of the belly of it, having already
submitted to a long lick of the just
barely visible mucus of its laws,
whose warm coat protects me from
the perilous storm, the numerous
nocturnal forms, and much anxiety
regarding same, which would otherwise
do enormous harm were it not for
the double capsule that seals me off
from it, from other, from self, and in
the good night’s sleep that leaves
me waking sticky with indebtedness
but prepared to join the workforce.

Wednesday, January 26, 2022

Perfect by Adrienne Chung


So that I cannot forget you even as I'm sleeping, I have devised
    a system which establishes in me the object permanence
you so desire in which the number of hours before the sunset
        of our affair is divided by my age in days. Visualized
as a blue cube, for crystallinity, the value is further divided six times,
      once for each of its faces, by the difference of the eleventh digits
of our internet protocol addresses. Should the resultant value
      be of odd denomination, let the degree of axial asymmetry
refract upon it the hue of its corresponding hex code such that
      one face of it achieves an opacity cloudy as the smoke
of our irreconcilable difference. In the event that it is even, it appears
      that I seem to have kept my promise in which I will always remember
the hollow of your hand, forever and just             sliding out of mine.

Tuesday, January 25, 2022

G-9 by Tim Dlugos


I'm at a double wake
in Springfield, for a childhood
friend and his father
who died years ago. I join
my aunt in the queue of mourners
and walk into a brown study,
a sepia room with books
and magazines. The father's
in a coffin; he looks exhumed,
the worse for wear. But where
my friend's remains should be
there's just the empty base
of an urn. Where are his ashes?
His mother hands me
a paper cup with pills:
leucovorin, Zovirax,
and AZT.  "Henry
wanted you to have these,"
she sneers. "Take all
you want, for all the good
they'll do."  "Dlugos.
Meester Dlugos."  A lamp
snaps on. Raquel,
not Welch, the chubby
nurse, is standing by my bed.
It's 6 a.m., time to flush
the heplock and hook up
the I.V. line. False dawn
is changing into day, infusing
the sky above the Hudson
with a flush of light.
My roommate stirs
beyond the pinstriped curtain.
My first time here on G-9,
the AIDS ward, the cheery
D & D Building intentionality
of the decor made me feel
like jumping out a window.
I'd been lying on a gurney
in an E.R. corridor
for nineteen hours, next to
a psychotic druggie
with a voice like Abbie
Hoffman's. He was tied
up, or down, with strips
of cloth (he'd tried to slug
a nurse) and sent up
a grating adenoidal whine
all night. "Nurse . . . nurse . . .
untie me, please . . . these
rags have strange powers."
By the time they found
a bed for me, I was in
no mood to appreciate the clever
curtains in my room,
the same fabric exactly
as the drapes and sheets
of a P-town guest house
in which I once—partied? stayed?
All I can remember is
the pattern. Nor did it
help to have the biggest queen
on the nursing staff
clap his hands delightedly
and welcome me to AIDS-land.
I wanted to drop
dead immediately. That
was the low point. Today
these people are my friends,
in the process of restoring
me to life a second time.
I can walk and talk
and breathe simultaneously
now. I draw a breath
and sing "Happy Birthday"
to my roommate Joe.
He's 51 today. I didn't think
he'd make it. Three weeks
ago they told him that he had
aplastic anemia, and nothing
could be done. Joe had been
a rotten patient, moaning
operatically, throwing chairs
at nurses. When he got
the bad news, there was
a big change. He called
the relatives with whom
he had been disaffected,
was anointed and communicated
for the first time since the age
of eight when he was raped
by a priest, and made a will.
As death drew nearer, Joe
grew nicer, almost serene.
Then the anemia
began to disappear, not
because of medicines, but
on its own. Ready to die,
it looks like Joe has more
of life to go. He'll go
home soon. "When will you
get out of here?" he asks me.
I don't know; when the X-ray
shows no more pneumonia.
I've been here three weeks
this time. What have I
accomplished? Read some
Balzac, spent "quality
time" with friends, come back
from death's door, and
prayed, prayed a lot.
Barry Bragg, a former
lover of a former
lover and a new
Episcopalian, has AIDS too,
and gave me a leatherbound
and gold-trimmed copy of the Office,
the one with all the antiphons.
My list of daily intercessions
is as long as a Russian
novel. I pray about AIDS
last. Last week I made a list
of all my friends who've died
or who are living and infected.
Every day since, I've remembered
someone I forgot to list.
This morning it was Chasen
Gaver, the performance poet
from DC. I don't know
if he's still around. I liked
him and could never stand
his poetry, which made it
difficult to be a friend,
although I wanted to defend
him one excruciating night
at a Folio reading, where
Chasen snapped his fingers
and danced around spouting
frothy nonsense about Andy
Warhol to the rolling eyes
of self-important "language-
centered" poets, whose dismissive
attitude and ugly manners
were worse by far than anything
that Chasen ever wrote.
Charles was his real name;
a classmate at Antioch
dubbed him "Chasen," after
the restaurant, I guess.
Once I start remembering,
so much comes back.
There are forty-nine names
on my list of the dead,
thirty-two names of the sick.
Cookie Mueller changed
lists Saturday. They all
will, I guess, the living,
I mean, unless I go
before them, in which case
I may be on somebody’s
list myself. It’s hard
to imagine so many people
I love dying, but no harder
than to comprehend so many
already gone. My beloved
Bobby, maniac and boyfriend.
Barry reminded me that he
had sex with Bobby
on the coat pile at this Christmas
party, two years in a row.
That’s the way our life
together used to be, a lot
of great adventures. Who’ll
remember Bobby’s stories
about driving in his debutante
date’s father’s white Mercedes
from hole to hole of the golf course
at the poshest country club
in Birmingham at 3 a.m.,
or taking off his clothes
in the redneck bar on a dare,
or working on Stay Hungry
as the dresser of a then-
unknown named Schwarzenegger.
Who will be around to anthologize
his purple cracker similes:
“Sweatin’ like a nigger
on Election Day,” “Hotter
than a half-fucked fox
in a forest fire.” The ones
that I remember have to do
with heat, Bobby shirtless,
sweating on the dance floor
of the tiny bar in what is now
a shelter for the indigent
with AIDS on the dockstrip,
stripping shirts off Chuck Shaw,
Barry Bragg and me, rolling
up the tom rags, using them
as pom-poms, then bolting
off down West Street, gracefully
(despite the overwhelming
weight of his inebriation)
vaulting over trash cans
as he sang, “I like to be
in America” in a Puerto Rican
accent. When I pass,
who’ll remember, who will care
about these joys and wonders?
I’m haunted by that more
than by the faces
of the dead and dying.
A speaker crackles near
my bed and nurses
streak down the corridor.
The black guy on the respirator
next door bought the farm,
Maria tells me later, but
only when I ask. She has tears
in her eyes. She’d known him
since his first day on G-9
a long time ago. Will I also
become a fond, fondly regarded
regular, back for stays
the way retired retiring
widowers return to the hotel
in Nova Scotia or Provence
where they vacationed with
their wives? I expect so, although
that’s down the road; today’s
enough to fill my plate. A bell
rings, like the gong that marks
the start of a fight. It’s 10
and Derek’s here to make
the bed, Derek who at 16
saw Bob Marley’s funeral
in the football stadium
in Kingston, hot tears
pouring down his face.
He sings as he folds
linens, “You can fool
some of the people some
of the time,” dancing
a little softshoe as he works.
There’s a reason he came in
just now; Divorce Court
drones on Joe’s TV, and
Derek is hooked. I can’t
believe the script is plausible
to him, Jamaican hipster
that he is, but he stands
transfixed by the parade
of faithless wives and screwed-up
husbands. The judge is testy;
so am I, unwilling
auditor of drivel. Phone
my friends to block it out:
David, Jane and Eileen. I missed
the bash for David’s magazine
on Monday and Eileen’s reading
last night. Jane says that
Marie-Christine flew off
to Marseilles where her mother
has cancer of the brain,
reminding me that AIDS
is just a tiny fragment
of life’s pain. Eileen has
been thinking about Bobby, too,
the dinner that we threw
when he returned to New York
after getting sick. Pencil-thin,
disfigured by KS, he held forth
with as much kinetic charm
as ever. What we have
to cherish is not only
what we can recall of how
things were before the plague,
but how we each responded
once it started. People
have been great to me.
An avalanche of love
has come my way
since I got sick, and not
just moral support.
Jaime’s on the board
of PEN’s new fund
for AIDS; he’s helping out.
Don Windham slipped a check
inside a note, and Brad
Gooch got me something
from the Howard Brookner Fund.
Who’d have thought when we
dressed up in ladies’
clothes for a night for a hoot
in Brad (“June Buntt”) and
Howard (“Lili La Lean”)’s suite
at the Chelsea that things
would have turned out this way:
Howard is dead at 35, Chris Cox
(“Kay Sera Sera”)’s friend Bill
gone too, “Bernadette of Lourdes”
(guess who) with AIDS,
God knows how many positive.
Those 14th Street wigs and enormous
stingers and Martinis don’t
provoke nostalgia for a time
when love and death were less
inextricably linked, but
for the stories we would tell
the morning after, best
when they involved our friends,
second-best, our heroes.
J.J. Mitchell was master
of the genre. When he learned
he had AIDS, I told him
he should write them down.
His mind went first. I’ll tell you
one of his best. J.J. was
Jerome Robbins’ houseguest
At Bridgehampton. Every morning
they would have a contest
to see who could finish
the Times crossword first.
Robbins always won, until
a day when he was clearly
baffled. Grumbling, scratching
over letters, he finally
threw his pen down. “J.J.,
tell me what I’m doing wrong.”
One clue was “Great 20th-c.
choreographer.” The solution
was “Massine,” but Robbins
had placed his own name
in the space. Every word
around it had been changed
to try to make the puzzle
work, except that answer.
At this point there’d be
a horsey laugh from J.J.
—“Isn’t that great?”
he’d say through clenched
teeth (“Locust Valley lockjaw”).
It was, and there were lots
more where that one came from,
only you can’t get there anymore.
He’s dropped into the maw
waiting for the G-9
denizens and for all flesh,
as silent as the hearts
that beat upon the beds
up here: the heart of the drop-
dead beautiful East Village
kid who came in yesterday,
Charles Frost’s heart nine inches
from the spleen they’re taking
out tomorrow, the heart of
the demented girl whose screams
roll down the hallways
late at night, hearts that long
for lovers, for reprieve,
for old lives, for another chance.
My heart, so calm most days,
sinks like a brick
to think of all that heartache.
I’ve been staying sane with
program tools, turning everything
over to God “as I understand
him.”  I don’t understand him.
Thank God I read so much
Calvin last spring; the absolute
necessity of blind obedience
to a sometimes comforting,
sometimes repellent, always
incomprehensible Source
of light and life stayed
with me. God can seem
so foreign, a parent
from another country,
like my Dad and his own
father speaking Polish
in the kitchen. I wouldn’t
trust a father or a God
too much like me, though.
That is why I pack up all
my cares and woes, and load them
on the conveyor belt, the speed
of which I can’t control, like
Chaplin on the assembly line
in Modern Times or Lucy on TV.
I don’t need to run
machines today. I’m standing
on a moving sidewalk
headed for the dark
or light, whatever’s there.
Duncan Hannah visits, and
we talk of out-of-body
experiences. His was
amazing. Bingeing on vodka
in his dorm at Bard, he woke
to see a naked boy
in fetal posture on the floor.
Was it a corpse, a classmate,
a pickup from the blackout
of the previous night? Duncan
didn’t know. He struggled
out of bed, walked over
to the youth, and touched
his shoulder. The boy turned;
it was Duncan himself.
My own experience was
milder, don’t make me flee
screaming from the room
as Duncan did. It happened
on a Tibetan meditation
weekend at the Cowley Fathers’
house in Cambridge.
Michael Koonsman led it,
healer whose enormous paws
directed energy. He touched
my spine to straighten up
my posture, and I gasped
at the rush. We were chanting
to Tara, goddess of compassion
and peace, in the basement chapel
late at night. I felt myself
drawn upward, not levitating
physically, but still somehow
above my body. A sense
of bliss surrounded me.
It lasted ten or fifteen
minutes. When I came down,
my forehead hurt. The spot
where the “third eye” appears
in Buddhist art felt
as though someone had pushed
a pencil through it.
The soreness lasted for a week.
Michael wasn’t surprised.
He did a lot of work
with people with AIDS
in the epidemic’s early days
but when he started losing
weight and having trouble
with a cough, he was filled
with denial. By the time
he checked into St. Luke’s,
he was in dreadful shape.
The respirator down his throat
squelched the contagious
enthusiasm of his voice,
but he could still spell out
what he wanted to say
on a plastic Ouija board
beside his bed. When
the doctor who came in
to tell him the results
of his bronchoscopy said,
“Father, I’m afraid I have
bad news,” Michael grabbed
the board and spelled,
“The truth is always
Good News.” After he died,
I had a dream in which
I was a student in a class
that he was posthumously
teaching. With mock annoyance
he exclaimed, “Oh, Tim!
I can’t believe you really think
that AIDS is a disease!”
There’s evidence in that
direction, I’ll tell him
if the dream recurs: the shiny
hamburger-in-lucite look
of the big lesion on my face;
the smaller ones I daub
with makeup; the loss
of forty pounds in a year;
the fatigue that comes on
at the least convenient times.
The symptoms float like algae
on the surface of the grace
that buoys me up today.
Arthur comes in with
the Sacrament, and we have
to leave the room (Joe’s
Italian family has arrived
for birthday cheer) to find
some quiet. Walk out
to the breezeway, where
it might as well be
August for the stifling
heat. On Amsterdam,
pedestrians and drivers are
oblivious to our small aerie,
as we peer through the grille
like cloistered nuns. Since
leaving G-9 the first time,
I always slow my car down
on this block, and stare up
at this window, to the unit
where my life was saved.
It’s strange how quickly
hospitals feel foreign
when you leave, and how normal
their conventions seem as soon
as you check in. From below,
it’s like checking out the windows
of the West Street Jail; hard
to imagine what goes on there,
even if you know firsthand.
The sun is going down as I
receive communion. I wish
the rite’s familiar magic
didn’t dull my gratitude
for this enormous gift.
I wish I had a closer personal
relationship with Christ,
which I know sounds corny
and alarming. Janet Campbell
gave me a remarkable ikon
the last time I was here;
Christ is in a chair, a throne,
and St. John the Divine,
an androgyne who looks a bit
like Janet, rests his head
upon the Savior’s shoulder.
James Madden, priest of Cowley,
dead of cancer earlier
this year at 39, gave her
the image, telling her not to
be afraid to imitate St. John.
There may come a time when
I’m unable to respond with words,
or works, or gratitude to AIDS;
a time when my attitude
caves in, when I’m as weak
as the men who lie across
the dayroom couches hour
after hour, watching sitcoms,
drawing blanks. Maybe
my head will be shaved
and scarred from surgery;
maybe I’ll be pencil-
thin and paler than
a ghost, pale as the vesper
light outside my window now.
It would be good to know
that I could close my eyes
and lean my head back
on his shoulder then,
as natural and trusting
as I’d be with a cherished
love. At this moment,
Chris walks in, Christopher
Earl Wiss of Kansas City
and New York, my lover,
my last lover, my first
healthy and enduring relationship
in sobriety, the man
with whom I choose
to share what I have
left of life and time.
This is the hardest
and happiest moment
of the day. G-9
is no place to affirm
a relationship. Two hours
in a chair beside my bed
after eight hours of work
night after night for weeks
… it’s been a long haul,
and Chris gets tired.
Last week he exploded,
“I hate this, I hate your
being sick and having AIDS
and lying in a hospital
where I can only see you
with a visitor’s pass. I hate
that this is going to
get worse.” I hate it,
too. We kiss, embrace,
and Chris climbs into bed
beside me, to air-mattress
squeaks. Hold on. We hold on
to each other, to a hope
of how we’ll be when I get out.
Let him hold on, please
don’t let him lose his
willingness to stick with me,
to make love and to make
love work, to extend
the happiness we’ve shared.
Please don’t let AIDS
make me a monster
or a burden is my prayer.
Too soon, Chris has to leave.
I walk him to the elevator
bank, then totter back
so Raquel can open my I.V.
again. It’s not even
mid-evening, but I’m nodding
off. My life’s so full, even
(especially?) when I’m here
on G-9. When it’s time
to move on to the next step,
that will be a great adventure,
too. Helena Hughes, Tibetan
Buddhist, tells me that
there are three stages in death.
The first is white, like passing
through a thick but porous wall.
The second stage is red;
the third is black; and then
you’re finished, ready
for the next event. I’m glad
she has a road map, but I don’t
feel the need for one myself.
I’ve trust enough in all
that’s happened in my life,
the unexpected love
and gentleness that rushes in
to fill the arid spaces
in my heart, the way the city
glow fills up the sky
above the river, making it
seem less than night. When
Joe O’Hare flew in last week,
he asked what were the best
times of my New York years;
I said “Today,” and meant it.
I hope that death will lift me
by the hair like an angel
in a Hebrew myth, snatch me with
the strength of sleep’s embrace,
and gently set me down
where I’m supposed to be,
in just the right place.

Monday, January 24, 2022

Seawater Stiffens Cloth by Jane Hirshfield

Seawater Stiffens Cloth

Seawater stiffens cloth long after it’s dried.
As pain after it’s ended stays in the body:
A woman moves her hands oddly
because her grandfather passed through
a place he never spoke of. Making
instead the old jokes with angled fingers.
Call one thing another’s name long enough,
it will answer. Call pain seawater, tree, it will answer.
Call it a tree whose shape of   branches happened.
Call what branching happened a man
whose job it was to break fingers or lose his own.
Call fingers angled like branches what peel and cut apples,
to give to a girl who eats them in silence, looking.
Call her afterward tree, call her seawater angled by silence.

Saturday, January 22, 2022

gay cancer by Danez Smith

gay cancer

                Melvin, Assanto, Essex, my Saint
              Laurent, Xtravaganza   House of
                  sissy & boosted silk     dirt throned
              with your too soon it grew
                                 in me too    blood’s gossip
              cum cussed        gifted to us
                  from us    yes    it grows by the day
              still    i’m sorry   we are still in the midst
              of ourselves  here   a pill for your grave
                   a door to our later years
              you deserved   o mother    o sweet unc
                  who we miss & never knew
                                                          is that you?
                  my wrist to my ear
                                              you’re here

One Heart by Franz Wright

One Heart

It is late afternoon and I have just returned from
the longer version of my walk nobody knows
about. For the first time in nearly a month, and
everything changed. It is the end of March, once
more I have lived. This morning a young woman
described what it’s like shooting coke with a baby
in your arms. The astonishing windy and altering light
and clouds and water were, at certain moment,
There is only one heart in my body, have mercy
on me.
The brown leaves buried all winter creatureless feet
running over dead grass beginning to green, the first scent-
less violet here and there, returned, the first star noticed all
at once as one stands staring into the black water.
Thank You for letting me live for a little as one of the
sane; thank You for letting me know what this is
like. Thank You for letting me look at your frightening
blue sky without fear, and your terrible world without
terror, and your loveless psychotic and hopelessly
        with this love.

Tuesday, January 18, 2022

Seduction by Frank Bidart


Show him that you see he carries
always, everywhere, an enormous
almost impossible to balance or bear
statue of himself: burden that
flattering him
dwarfs him, like you. Make him
see that you alone decipher within him
the lineaments of the giant. Make him
see that you alone can help him shape
the inchoate works of his hand, till what
the statue is he is. He watches your helpless
gaze; your gaze
tells him that the world someday must see.
You are the dye whose color dyes
the mirror: he can never get free
You ask what is this place. He says
kids come to make out here. He has driven
out here to show you lovers’ lane.
Because your power in the world exceeds
his, he must make the first move.
His hand on the car seat doesn’t move.
He is Raleigh attending Elizabeth, still
able to disguise that he does not want her.
In banter and sweet colloquy, he freely,
abundantly shows you that what his
desire is is endless
intercourse with your soul. Everything
he offers, by intricate
omissions, displays what he denies you.
Beneath all, the no that you
persuade yourself
can be reversed.
You cannot reverse it: as if he is
safe from
engulfment only because he has
placed past reversal
the judgment that each
animal makes facing another.
You are an animal facing another.
Still you persuade yourself that it can be
reversed because he teasingly sprinkles
evasive accounts of his erotic history
with tales of dissatisfying but repeated
sex with men. He adds that he
could never fall in love with a man.
Helplessly, he points to the soiled
statue he strains to hold
unstained above him. He cannot.
You must write this without the least
trace of complaint. Standing at the edge of
the pool, for him there was no water.
You chose him not despite, but
because of. In the twenty-three years since
breaking with him, his spectre
insists that no one ever replaces anyone.
He is the dye whose color dyes
the mirror: you can never get free.
What is it that impels
What is it that impels us at least in
What is it that impels us at least in
imagination to close with to
interpenetrate flesh that accepts
craves interpenetration from
us with us
What is it What
Sweet cow, to heal the world, you must
jump over the moon. All you ask is
immolation, fantastic love resistlessly
drawn out of a withdrawn creature who
must turn himself inside out to give it:
dream coexistent with breathing.
Near the end, when the old absorbing
colloquy begins again, both he and you
find yourselves surrounded by ash.
To his meagre circumscribed desire whose
no you knew from the beginning, that you
want to pluck out of your eye forever,
you submit as if in mourning.
To ash, he too submits. In revenge
you chose submission, chose power. 

Trophic Cascade by Camille T. Dungy

Trophic Cascade

After the reintroduction of gray wolves
to Yellowstone and, as anticipated, their culling
of deer, trees grew beyond the deer stunt
of the mid century. In their up reach
songbirds nested, who scattered
seed for underbrush, and in that cover
warrened snowshoe hare. Weasel and water shrew
returned, also vole, and came soon hawk
and falcon, bald eagle, kestrel, and with them
hawk shadow, falcon shadow. Eagle shade
and kestrel shade haunted newly-berried
runnels where deer no longer rummaged, cautious
as they were, now, of being surprised by wolves. Berries
brought bear, while undergrowth and willows, growing
now right down to the river, brought beavers,
who dam. Muskrats came to the dams, and tadpoles.
Came, too, the night song of the fathers
of tadpoles. With water striders, the dark
gray American dipper bobbed in fresh pools
of the river, and fish stayed, and the bear, who
fished, also culled deer fawns and to their kill scraps
came vulture and coyote, long gone in the region
until now, and their scat scattered seed, and more
trees, brush, and berries grew up along the river
that had run straight and so flooded but thus dammed,
compelled to meander, is less prone to overrun. Don’t
you tell me this is not the same as my story. All this
life born from one hungry animal, this whole,
new landscape, the course of the river changed,
I know this. I reintroduced myself to myself, this time
a mother. After which, nothing was ever the same.