Monday, September 14, 2015

A Wreath of Hummingbirds by Cathy Park Hong


A Wreath of Hummingbirds

I suffer a different kind of loneliness.
In the trilling ringtones of singing
wrens, cries of babies and ballad medleys,
my ears, already inured by buds,
turn to brass.
They resurrected a thousand extinct birds,
Emus, dodos, and shelducks, though some,
like the cerulean glaucous macaw,
could not survive the snow. How heavily
they roost on trees in raw twilight.
I will not admire those birds,
not when my dull head throbs, and I am plagued
by sorrow, a green hummingbird that eats me alive
with its stinging needle beak.
Then I meet you. Our courtship is fierce
in a prudish city that scorns our love,
as if the ancient laws of miscegenation
are still in place. I am afraid
I will infect you
after a virus clogs the gift economy:
booming etrade of flintlock guns sag.
Status updates flip from we are all
connected to we are exiles.
What bullshit
when in that same prudish city,
they have one exact word to describe the buried
shades of their sorrow, when they always sit together
and eat noodles during white
days of rain, always in one long table,
though not all
as a boy, my father used to trap
little brown sparrows, bury them in hot coal,
and slowly eat the charred birds alone
in the green fields, no sounds,
no brothers in sight.
Holiest are those who eat alone.
Do not hurt them, do not push them, insult them,
do not even stare at them, leave
them to eat alone, in peace. 




The Man in the Chair by Galway Kinnell


The Man in the Chair

I glanced in as I walked past
the door of the room where he sat
in the easy chair with the soiled area
along the top from the olive oil.
I think I noticed something—
a rigidity in the torso, making it
unable to settle into the cushions,
or a slackness in the neck,
causing the head to tilt forward,
or a shaking in the lifted left fist,
as though he were pushing a hammer
handle back with all his force, to pull
a spike driven nineteen years before
the end of the nineteenth century
into lignum vitae so dense the steel
may have cried out in excruciated singsong,
or an acute angle in the knees,
as if he were holding his feet inches off
the floor to keep them from a whitish
wash of mist from some freshly
dug pit simmering across it,
or the jerk of a leg, as if a hand
just then had reached up through the floor
and tried to grab it. I think I noticed,
yet I did not stop, or go in, or speak.
For his part he could not have spoken,
that day, or any day, he had a human
version of the pip, the disease that thickens
birds’ vocal cords and throttles their song.
I had it too, no doubt caught from him,
and I could not speak truly except
to the beings I had invented far within.
I walked past, into my room, shut
the door, and sat down at the desk,
site of so many hours lost
passing one number through another
and drawing a little row of survivors on top.
while my mother sat across from me
catching my mistakes upside down.
I wrote, and as I did I allowed
to be audible in the room only
the scritches of the pen nib, a sound
like a rat nosing around in the dark
interior of a wall, making a nest of shreds.
All other sounds, including the words
he never said to me, my cries to him
I did not make, I forced down
through the paper, the desk, the floor,
the surface of the earth, the roof
of that dismal region where they stood,
two or three of them, who had reached up
and had him by the foot, and were pulling hard.





Saturday, September 12, 2015

Japanese Maple by Clive James

Japanese Maple

Your death, near now, is of an easy sort. 
So slow a fading out brings no real pain.
Breath growing short
Is just uncomfortable. You feel the drain
Of energy, but thought and sight remain:

Enhanced, in fact. When did you ever see
So much sweet beauty as when fine rain falls
On that small tree
And saturates your brick back garden walls,
So many Amber Rooms and mirror halls?

Ever more lavish as the dusk descends
This glistening illuminates the air.
It never ends.
Whenever the rain comes it will be there,
Beyond my time, but now I take my share.

My daughter’s choice, the maple tree is new.
Come autumn and its leaves will turn to flame.
What I must do
Is live to see that. That will end the game
For me, though life continues all the same:

Filling the double doors to bathe my eyes,
A final flood of colors will live on
As my mind dies,
Burned by my vision of a world that shone
So brightly at the last, and then was gone.






Friday, September 11, 2015

A Happy Thought by Franz Wright

A Happy Thought

Assuming this is the last day of my life
(which might mean it is almost the first)
I'm struck blind but my blindness is bright.

Prepare for what's known here as death;
have no fear of that strange word forever.
Even I can see there's nothing there

to be afraid of: having already been
to forever I'm unable to recall
anything that scared me, there, or hurt.

What frightened me, apparently, and hurt
was being born. But I got over that
with no hard feelings. Dying, I imagine,

it will be the same deal, lonesomer maybe,
but surely no more shocking or prolonged-
It's dark as I recall, then bright, so bright.




Thursday, September 10, 2015

The Day by Mary Ruefle


The Day

Describe the day when you first knew
that you were Real.
Ok, then describe the day
when you first had the sensation
life was but a Dream.
Well then, the day little Donald
took your jar of buttons
and you wept under the aspens
who did not seem to care one way or another
which made you madder than a hornet
and when Mrs. Felton saw you
stinging yourself, she invited you in
and gave you a glass of milk
and a piece of pie. What Kindness.
What kind of pie?
Did its purple eyes tell you then
what you know now?




Still-Life With Turkey by Diane Seuss


Still-Life With Turkey

The turkey’s strung up by one pronged foot,
the cord binding it just below the stiff trinity
of toes, each with its cold bent claw. My eyes

are in love with it as they are in love with all
dead things which cannot escape being looked at.
It is there to be seen if I want to see it, as my

father was there in his black casket and could not
elude our gaze. I was a child, so they asked
if I wanted to see him. “Do you want to see him?”

someone asked. Was it my mother? Grandmother?
Some poor woman was stuck with the job.
“He doesn’t look like himself,” whoever it was

added. “They did something strange with his mouth.”
As I write this a large moth flutters against
the window. It presses its fat thorax to the glass.

“No,” I said, “I don’t want to see him.” I don’t recall
if I secretly wanted them to open the box for me
but thought that “no” was the correct response,

or if I believed I should want to see him but was
too afraid of what they’d done with his mouth.
I think I assumed that my seeing him would

make things worse for my mother, and she was all
I had. Now I can’t get enough of seeing, as if I’m paying
a sort of penance for not seeing then, and so

this turkey, hanged, its small, raw-looking head,
which reminds me of the first fully naked man
I ever saw, when I was a candy striper

at a sort of nursing home, a war veteran,
young, burbling crazily, his face and body red
as something scalded. I didn’t want to see,

and yet I saw. But the turkey, I am in love with it,
its saggy neck folds, the rippling, variegated
feathers, the crook of its unbound foot,

and the glorious wings, archangelic, spread
as if it could take flight, but down,
downward, into the earth.





Tuesday, September 8, 2015

A Knock on the Door by James Tate


A Knock on the Door

They ask me if I've ever thought about the end of
the world, and I say, "Come in, come in, let me
give you some lunch, for God's sake." After a few
bites it's the afterlife they want to talk about.
"Ouch," I say, "did you see that grape leaf
skeletonizer?" Then they're talking about
redemption and the chosen few sitting right by
His side. "Doing what?" I ask. "Just sitting?" I
am surrounded by burned up zombies. "Let's
have some lemon chiffon pie I bought yesterday
at the 3 Dog Bakery." But they want to talk about
my soul. I'm getting drowsy and see butterflies
everywhere. "Would you gentlemen like to take a
nap, I know I would." They stand and back away
from me, out the door, walking toward my
neighbors, a black cloud over their heads and
they see nothing without end.