Monday, February 7, 2022

transplant by Andrew McMillan

transplant

 
the sound of hair being ripped out
reminded me of velcro shoes
being hastily removed      I hadn’t
realised it possible
that I might grow into kinder
ownership of my own looks
that I could   one day   have been fine
with baldness   but it seemed to me
at seventeen that I was being
unmanned   and that my unlived youth
was already receding
so I paid a doctor thousands
to take a strip of hair from the back
of my head   pull out each follicle
and put them into the front
to give me the line I thought would
make me happy   and stitch the skin
on the back of the skull together
leaving me with this grimace
this equator   this scar
that catches the cold weather   hold
sit deep inside   reminder
of my vanity   tideline
of Canute   tattoo of the time
I couldn’t live with what I was becoming 



Sunday, February 6, 2022

Evening Poem by Alice Oswald

Evening Poem

 
Old scrap-iron foxgloves
rusty rods of the broken woods
 
what a faded knocked-out stiffness
as if you’d sprung from the horsehair
    of a whole Victorian sofa buried in the mud down there
 
or at any rate something dropped from a great height
straight through flesh and out the other side
has left your casing pale and loose and finally
 
just a heap of shoes
 
they say the gods being so uplifted
can’t really walk on feet but take tottering steps
and lean like this closer and closer to the ground
 
                        which gods?
 
it is the hours on bird-thin legs
the same old choirs of hours
returning their summer clothes to the earth
 
with the night now
as if dropped from a great height
 
falling



Saturday, February 5, 2022

Uptown, Minneapolis, Minnesota by Hieu Minh Nguyen

Uptown, Minneapolis, Minnesota

 
Even though it’s May & the ice cream truck
parked outside my apartment is somehow certain,
I have a hard time believing winter is somehow,
all of a sudden, over — the worst one of my life,
the woman at the bank tells me. Though I’d like to be,
it’s impossible to be prepared for everything.
Even the mundane hum of my phone catches me
off guard today. Every voice that says my name
is a voice I don’t think I could possibly leave
(it’s unfair to not ask for the things you need)
even though I think about it often, even though
leaving is a train headed somewhere I’d probably hate.
Crossing Lyndale to meet a friend for coffee
I have to maneuver around a hearse that pulled too far
into the crosswalk. It’s empty. Perhaps spring is here.
Perhaps it will all be worth it. Even though I knew
even then it was worth it, staying, I mean.
Even now, there is someone, somehow, waiting for me.
 


Friday, February 4, 2022

A Hundred Bolts of Satin by Kay Ryan

A Hundred Bolts of Satin

 
All you
have to lose
is one
connection
and the mind   
uncouples
all the way back.   
It seems
to have been
a train.
There seems
to have been
a track.
The things
that you
unpack
from the
abandoned cars   
cannot sustain   
life: a crate of   
tractor axles,   
for example,
a dozen dozen   
clasp knives,   
a hundred   
bolts of satin—
perhaps you   
specialized   
more than   
you imagined.
 


Thursday, February 3, 2022

Christmas Tree by James Merrill

 Christmas Tree

 
*
To be
Brought down at last
From the cold sighing mountain
Where I and the others
Had been fed, looked after, kept still,
Meant, I knew—of course I knew—
That it would be only a matter of weeks,
That there was nothing more to do.
Warmly they took me in, made much of me,
The point from the start was to keep my spirits up.
I could assent to that. For honestly,
It did help to be wound in jewels, to send
Their colors flashing forth from vents in the deep
Fragrant sables that cloaked me head to foot.
Over me then they wove a spell of shining—
Purple and silver chains, eavesdropping tinsel,
Amulets, milagros: software of silver,
A heart, a little girl, a Model T,
Two staring eyes. Then angles, trumpets, BUD and BEA
(The children’s names) in clownlike capitals,
Somewhere a music box whose tiny song
Played and replayed I ended before long
By loving. And in shadow behind me, a primitive IV
To keep the show going. Yes, yes, what lay ahead
Was clear: the stripping, the cold street, my chemicals
Plowed back into the Earth for lives to come—
No doubt a blessing, a harvest, but one that doesn’t bear,
Now or ever, dwelling upon. To have grown so thin.
Needles and bone. The little boy’s hands meeting
About my spine. The mother’s voice: Holding up wonderfully!
No dread. No bitterness. The end beginning. Today’s
Dusk room aglow
For the last time
With candlelight.
Faces love-lit
Gifts underfoot.
Still to be so poised, so
Receptive. Still to recall, praise.



 

Wednesday, February 2, 2022

The Workers Love Palestine by Zaina Alsous

The Workers Love Palestine

 
The week before the SUN announced hospice
my great-great-great-great-grandchild the harpist announced:
 
         WORKERS OF THE WORLD
             JOIN THE STRIKE FOR GUARANTEED LIGHT
 
The florists union in Caracas and the Algerian weavers presented joint proposals
 
             TOWARD ILLUMINATION THAT MULTIPLIES
 
Bare hills, lakes of salt sutured dim ruins
shadowless
of shipping yards and empires of memories of sarin
 
The children's council listened in wreaths of yellow iris,
patterned leaves designating each role
 
Did you know that within attunement to effort
the end of monument resides?
 
Then the harpist, my progeny, that fate I had so long evaded—
debt I owe to demographic warfare
 
and names sliced open, reborn in disfigured repetition—
sang three hundred years of returning
 
 
 
Language is merely the placeholder
for what the LAND has always known
 
Species being is an observation of MOM (preface)
Absent the wet painting of a razed village (sold)
 
This land is land
Land is land
                                       LAND LAND
 
 
I AM COMING
HOME



Tuesday, February 1, 2022

Arrival at Santos by Elizabeth Bishop

Arrival at Santos

 
Here is a coast; here is a harbor;
here, after a meager diet of horizon, is some scenery;
impractically shaped and—who knows?—self-pitying mountains,
sad and harsh beneath their frivolous greenery,
 
with a little church on top of one. And warehouses,
some of them painted a feeble pink, or blue,
and some tall, uncertain palms. Oh, tourist,
is this how this country is going to answer you
 
and your immodest demands for a different world,
and a better life, and complete comprehension
of both at last, and immediately,
after eighteen days of suspension?
 
Finish your breakfast. The tender is coming,
a strange and ancient craft, flying a strange and brillant rag.
So that's the flag. I never saw it before.
I somehow never thought of there being a flag,
 
but of course there was, all along. And coins, I presume,
and paper money; they remain to be seen.
And gingerly now we climb down the ladder backward,
myself and a fellow passenger named Miss Breen,
 
descending into the midst of twenty-six freighters
waiting to be loaded with green coffee beans.
Please, boy, do be more careful with that boat hook!
Watch out! Oh! It has caught Miss Breen's
 
skirt! There! Miss Breen is about seventy,
a retired police lieutenant, six feet tall,
with beautiful bright blue eyes and a kind expression.
Her home, when she is at home, is in Glens Fall
 
s, New York. There. We are settled.
The customs officials will speak English, we hope,
and leave us our bourbon and cigarettes.
Ports are necessities, like postage stamps, or soap,
 
but they seldom seem to care what impression they make,
or, like this, only attempt, since it does not matter,
the unassertive colors of soap, or postage stamps—
wasting away like the former, slipping the way the latter
 
do when we mail the letteres we wrote on the boat,
either because the glue here is very inferior
or because of the heat. We leave Santos at once;
we are driving to the interior.