Saturday, May 13, 2017

Encounter by Czesław Miłosz


Encounter

We were riding through frozen fields in a wagon at dawn. 
A red wing rose in the darkness. 

And suddenly a hare ran across the road. 
One of us pointed to it with his hand. 

That was long ago. Today neither of them is alive, 
Not the hare, nor the man who made the gesture. 

O my love, where are they, where are they going 
The flash of a hand, streak of movement, rustle of pebbles. 
I ask not out of sorrow, but in wonder. 

(Translated by Czesław Miłosz)


 

The Day I Saw Barack Obama Reading Derek Walcott’s Collected Poems by Yusef Komunyakaa


The Day I Saw Barack Obama Reading Derek Walcott’s Collected Poems
 
Was he looking for St. Lucia’s light
to touch his face those first days 
in the official November snow & sleet 
falling on the granite pose of Lincoln?  
 
If he were searching for property lines
drawn in the blood, or for a hint
of resolve crisscrossing a border,
maybe he’d find clues in the taste of breadfruit.  
 
I could see him stopped there squinting
in crooked light, the haze of Wall Street
touching clouds of double consciousness,
an eye etched into a sign borrowed from Egypt. 
 
If he’s looking for tips on basketball,
how to rise up & guard the hoop,
he may glean a few theories about war   
but they aren’t in The Star-Apple Kingdom
 
If he wants to finally master himself,
searching for clues to govern seagulls
in salty air, he’ll find henchmen busy with locks
& chains in a ghost schooner’s nocturnal calm. 
 
He’s reading someone who won’t speak
of milk & honey, but of looking ahead
beyond pillars of salt raised in a dream
where fat bulbs split open the earth. 
 
The spine of the manifest was broken,
leaking deeds, songs & testaments.
Justice stood in the shoes of mercy,
& doubt was bandaged up & put to bed. 
 
Now, he looks as if he wants to eat words,
their sweet, intoxicating flavor. Banana leaf
& animal, being & nonbeing. In fact, 
craving wisdom, he bites into memory.   
 
The President of the United States of America
thumbs the pages slowly, moving from reverie to reverie,
learning why one envies the octopus for its ink,
how a man’s skin becomes the final page. 


 

Thursday, May 11, 2017

Man Roulette by Brian Blanchfield


Man Roulette

What booth is this? The last was a plastic gallows. 
In the teach me to kiss booth, you paid your dollar 
to promote, when prompted, a theory. Advised me about 
standing close and touching him who might next enter 
in such a way that draws contrast, rough and smooth, 
cool and warm, maybe the heel of the hand and thumb 
at the neck if the collar is open and the fingertips two 
three four, but never anything about the mouth, and then 
it was time. I back exited through the heavy drapes
and opened shop next door.

                                                       What booth is this? 
In this booth I have rescued a dovekie but it will not eat.
As the tub fills I need you (tore your ticket, right?)
to surrender two of the goldfish from this bag. I’ll be 
back in a minute. The last of the sun is pinkening 
the ridge beyond the fairgrounds, and I’d like to see.

              What booth is this? Keep moving everyone.
Careful of the gourds; they’re pursing. I’ve handed over 
the last admission I can afford. Into this booth the branch 
of a bean tree descends and in an eventuality 
brought on by what yet I cannot say the armlong pods 
burst with pellet shot pressure and release seeds like these 
embedded in the board behind you. The next booth 
is one I have to man for someone. An emergency. I’ll 
meet you there.

                                Is this even a booth? In this booth there is 
room for one. Get in here and hold me up.
I would fall without you. Why are we not told plainly? 
What good as a booth is this, what booth if it be one? 
Feel the first drop, as from a shearwater ocean bird held high 
for miles on the cyclonic air, blown far inland, never
otherwise seen. The barometer is bottoming. This booth of 
ours is an eye of the storm simulation.


 

Wednesday, May 10, 2017

Force Visibility by Solmaz Sharif


Force Visibility

Everywhere we went, I went
in pigtails
no one could see—

ribbon curled
by a scissor’s sharp edge,
the bumping our cars

undertook when hitting
those strips
along the interstate

meant to shake us
awake. Everywhere we went
horses bucking

their riders off,
holstered pistols
or two Frenchies

dancing in black and white
in a torn-apart
living room,

on the big screen
our polite cow faces
lit softly

by New Wave Cinema
I will never
get into. The soft whir

of CONTINUOUS STRIP IMAGERY.
What is fascism?
A student asked me

and can you believe
I couldn’t remember
the definition?

The sonnet,
I said.
I could’ve said this:

our sanctioned twoness.
My COVERT pigtails.
Driving to the cinema

you were yelling
This is not
yelling you corrected

in the car, a tiny
amphitheater. I will
resolve this I thought

and through that
RESOLUTION, I will be
a stronger compatriot.

This is fascism.
Dinner party
by dinner party,

waltz by waltz,
weddings ringed
by admirers, by old

couples who will rise
to touch each other
publicly.

In INTERTHEATER TRAFFIC
you were yelling
and beside us, briefly

a sheriff’s retrofitted bus.
Full or empty
was impossible to see.


 

Tuesday, May 9, 2017

The Dog Stoltz by August Kleinzahler


The Dog Stoltz

The dog Stoltz pushed his paw pads into my neck, 
the warm, beaten leather deep under my chin, 
and let slip the one paw to up near my mouth 
with all the filth of the many blocks we trod, 
together trod, a well-moistened, adenoidal sound, 
part sigh and part growl, coming out of him, 
transported, he seemed, in a slow-motion delirium 
as I tickled his chest and behind his ear 
when he just then told me he’d tear out my throat, 
looked in my eye and smiled, best as a dog can, 
then turned ruminative and spoke once more: 
—I simply have to knock off that essay on Sassoon. 
This would have been Sassoon the war poet, understand. 
Dogs cannot write. My mother told me this. 
As for his talk, well, I took no special notice. 
His love of the war poets was well known. 
Stoltz would have been part bull and something else. 
Two friends walked by just then, handily as these things go, 
and inquired of us sitting down there on the stoop, 
not even, a doorway merely, along a busy street, 
how went the day and what pursuits was I attending; 
but what interested the two of them most 
were the tergiversations of the dog Stoltz, 
first beast, then scholar, then abject and adored. 
(Say, who among us does not care to be undressed?) 
He was not really my dog, you see, and of this made note, 
but were glad as well at my having a new dog in my life. 
It was a busy stretch of pavement, Amsterdam maybe, 
or Broadway, or farther down just south of Chelsea. 
I can tell you it was the West Side, of that I’m certain, 
and it was mild, spring-like, a few drops in the air. 
The friends passed along and the dog Stoltz slept. 
He was not my dog, you know. He simply followed me out 
of what can only have been a very fine home, 
such were his graces, his recondite tastes. 
But he was a killer too, and rather smelled. 
I cannot accommodate another animal now, please understand. 
I am between places. I will yearn for Stoltz, but no. 


 

Monday, May 8, 2017

my dreams, my works, must wait till after hell by Gwendolyn Brooks


my dreams, my works, must wait till after hell
 
I hold my honey and I store my bread 
In little jars and cabinets of my will. 
I label clearly, and each latch and lid 
I bid, Be firm till I return from hell. 
I am very hungry. I am incomplete. 
And none can tell when I may dine again. 
No man can give me any word but Wait, 
The puny light. I keep eyes pointed in; 
Hoping that, when the devil days of my hurt 
Drag out to their last dregs and I resume 
On such legs as are left me, in such heart 
As I can manage, remember to go home, 
My taste will not have turned insensitive 
To honey and bread old purity could love.
  

 

Sunday, May 7, 2017

Descent by Ocean Vuong


Descent

Gian Giacomo Caprotti. to Leonardo Da Vinci

The money gone, I followed you
to the edge of love—only to find the city
sinking. Streets lit with dawn's blue
ashes. But it was the flecks of amber
slipping between the chimneys
that had us running. Dim alleys leading
to nowhere—or water. Then
the Piazza San Marco opening
the Mediterranean. That sudden
brightness. Pigeons crumbling
from the angels' rusted shoulders
in the hour before Venice vanished
beneath the crowd. Hour of birdsong
falling like pebbles on the promenade.
And the year's first widow chanting a new
god's name into the sea. Her body a stitch
in the shore. Brief inventor, make me
new again. For the heart fails not in its breaking
but the tightening. For the sun came on.
The plaza erupted in panels of blood.
And you were still my king. And I, still—
your king.