Friday, October 4, 2019

The Proof by Toi Derricotte


The Proof
 
After thirty years, I was done
with talking. I had told him
 
I was leaving, but still we’d sit
at the dinner table—me, to his right—& I’d watch him. He’d
 
put the forkfuls in his mouth & chew,
a calm look on his face. How I wanted him
 
to suffer, to see that there was some
 
register where it
mattered. If he would just turn
 
his eye, like a great
planet, slowly, as if over
 
epochs. I wouldn’t have left
 
if he had
looked at me with
 
sorrow or, perhaps, not even
sorrow, but to turn to me with sudden
 
awareness. Why were tears
 
pouring down my
cheeks? It wasn’t that he was angry,
 
that would have been
a kind of recognition. If anything confirmed
 
my going, it was that ab-
sence—not even cool—as if there was nothing
 
between us that couldn’t be dissolved
by will; nothing that could be
 
altered by desire.
 
He would often tell me about a tree
in his childhood that was right in the middle of a
 
baseball field, a huge old tree
where the kids played ball, so that they had to
 
run around it to hit second base, how the coaches
wanted to take it down . . . but there was one old man who fought
 
for the tree &, though he didn’t win & the tree was cut, whenever
Bruce went home, years later, there was a perfect
 
field but nobody ever played
there. Is the mystery that no matter what I felt
 
was missing, there is something
that remains? But he went on, the meat
 
chewed, the water in the glass
swallowed. Perhaps what I had put on the table tasted
 
good, perhaps he was appreciating
my efforts, that I had called him, that, as usual, I had
 
made dinner for us. Perhaps he was concentrating
on something that I couldn’t see—me, so determined
 
to affect him, to make him pay. Wasn’t there a right
 
& a wrong here? I remember the time I decided
 
to move to Pittsburgh
for the job, to stay married but to live
 
apart. We had gone out to
the Frank Lloyd Wright house, Falling Water,
 
& we sat by the stream. He confessed
that something in him had been missing
 
all those years. He talked about his
childhood—the fears, of him being
 
the only black
boy in that town, & how his mother brought the news
 
of lynchings fifty miles away
in Indiana & taught him not to touch
the white girls
who flirted. He didn’t present it
 
to change anything, not for
 
sympathy but, as it happened, sometimes—if rarely
in our 30 years together—that
 
we showed ourselves without even a scintilla
of the will
 
to make things better. & that’s what made it so
 
terrible & blinding, so
true.


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