Practicing
I want to write a love poem for the girls I kissed in
seventh grade,
a song for what we did on the floor in the basement
of somebody’s parents’ house, a hymn for what we didn’t say
but thought:
That feels good or I like that, when
we learned how to open each other’s mouths
how to move our tongues to make somebody moan. We called it
practicing, and
one was the boy, and we paired off—maybe six or eight
girls—and turned out
the lights and kissed and kissed until we were stoned on
kisses, and lifted our
nightgowns or let the straps drop, and, Now you be the boy:
concrete floor, sleeping bag or couch, playroom, game room,
train room, laundry.
Linda’s basement was like a boat with booths and portholes
instead of windows. Gloria’s father had a bar downstairs
with stools that spun,
plush carpeting. We kissed each other’s throats.
We sucked each other’s breasts, and we left marks, and never
spoke of it upstairs
outdoors, in daylight, not once. We did it, and it was
practicing, and slept, sprawled so our legs still locked or
crossed, a hand still lost
in someone’s hair . . . and we grew up and hardly mentioned
who
the first kiss really was—a girl like us, still sticky with
moisturizer we’d
shared in the bathroom. I want to write a song
for that thick silence in the dark, and the first pure
thrill of unreluctant desire,
just before we’d made ourselves stop.
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