Ode to Dusty Springfield
What makes                      
a voice                     
distinct?                      
What special                      
quality                     
makes it                     
indelible?                      
Yours is plaintive,                      
as any singer                      
of torch songs                      
must be,                     
yet endowed                      
with confidence,                      
and fully                      
in command.                      
Deep and                     
resonant,                      
a bit husky                      
if you like.                      
A voice that rises—                      
or skyrockets,                      
rather—from               
      
a wellspring                      
of pure emotion.                      
Manically                      
infatuated                      
in “I Only                      
Want to Be                      
with You.”                      
Desperate to                      
keep your                      
lover from                      
leaving in                      
“Stay Awhile.”                      
Despondent                      
in “I Just                      
Don’t Know                      
What to Do                      
with Myself”                      
and “You Don’t                      
Have to Say                      
You Love Me.”                      
All cried out                      
in “All Cried                      
Out.”  But then                      
amazingly                      
on the rebound                      
in “Brand New Me.”                       
I hear your                      
voice, Dusty,                      
and I am                     
instantly                      
whisked                     
back in time,                      
not quite                      
a teenager                      
all over                     
again,                     
full of longing                      
and confusion,                      
listening                      
to your                     
latest hit                      
on my                     
red plastic                      
transistor                      
radio on                     
a mid-sixties                      
Los Angeles                      
suburban                     
summer                     
afternoon.                       
Twice in                     
my life, I                      
found myself                      
in the same                      
room as you.                      
Can one fathom                      
anything more                      
miraculous?                      
The first                      
time was                     
in 1983, late                      
November,                      
in the basement                      
of a church                      
in Los Feliz,                      
around the                      
corner from                      
where I lived.            
         
Sober only                      
a few weeks,                      
I watched                      
you approach                      
the podium,                      
but didn’t                      
realize who                      
you were                      
until you                      
identified                      
yourself as                      
“Dusty S.”                      
For the next                      
twenty minutes,                      
you told us                  
   
the story                      
of your                     
drinking.                      
How early in                      
your career,                      
backstage                      
before a                     
performance,            
         
one of the                       
Four Tops                      
handed you                      
your first                      
drink, vodka.                      
How smoothly                      
it went down                      
and loosened                      
you up,                     
lit you from                      
within,                     
gave you                     
enough                     
courage                     
to go out on                      
stage, into that                      
blinding spot,                      
and sing like                      
no one else.                      
The alcohol                      
eventually                      
stopped working—                      
it always does,                      
that brand                      
of magic                     
is transient—                      
and here you                      
were, two                      
decades                     
later, sober                      
and clean                      
and still singing,                      
so to speak,                      
before a live                      
audience.                      
In my youth,                      
your words                      
had come over                      
the radio                      
and stirred                      
feelings                     
of heartbreak                      
and infatuation.                      
Now they                     
inspired me               
      
to keep                     
coming back.                       
The second                      
time, 1987,                      
four years                      
sober, at a more                      
upscale meeting                      
at Cedars-Sinai                      
in West Hollywood,                      
I sat directly                      
behind you.                      
It was hard                      
to breathe                      
being in such                      
close proximity.                      
I didn’t hear                      
a word the                      
speaker said.                      
During his                      
drunkalog,                      
I slowly,                      
surreptitiously,                      
moved the                      
toe of my                      
white high-top                      
until it touched                      
the back of                      
your folding chair.                      
Then said a           
          
little prayer.                      
I hoped                     
(should I be                      
embarrassed                      
admitting this?)                      
that some                      
of your                     
stardust                     
might travel                      
down the                     
metal leg                      
of your chair,                      
like a lightning                      
rod, and be                      
passed on               
      
to me.                      
It’s after                      
midnight                     
again, Dusty,                      
half a century                      
since, on                      
a suburban                      
lawn or alone                      
in my room,                      
I suffered                      
through hits                      
by Paul Revere                      
& the Raiders                      
and Herman’s                      
Hermits,                 
    
just to                     
experience                      
two or                     
three minutes                      
of your                     
sultry voice.                      
I’m on                     
YouTube                    
 
again, watching                      
the black-and-white                      
video of you                      
singing “I                      
Only Want                      
to Be                     
with You.”                      
Your 1964                      
appearance                      
on some teen                      
variety show.                      
I’ve viewed                      
it innumerable                      
times, but                      
it’s always                 
    
exciting to see                      
you dance                      
out of the                      
darkness into                      
the round                      
spotlight,                      
exuberant                      
as the song’s                      
intro, arms                      
outspread,                      
in a chiffon                      
cocktail                     
dress and                      
high heels,                      
your platinum                      
hair, sprayed                      
perfectly                      
in place,                      
as bright                      
and shiny                      
as the moon.                      
Midway                     
through the                
     
song—the                     
instrumental                      
bridge—you                      
turn and                     
sashay around                      
the edge of                      
the spotlight,                      
the ruffled                      
hem of your                      
chiffon dress                      
twisting with                      
your hips                      
and intricate                      
footwork.                      
Circle circling                      
circle: your                      
full backlit                      
hair orbiting                      
the pool of                      
white light                      
in the center                      
of the stage.                      
I watch this                      
again and again,                      
like Bashō’s moon                      
walking around                      
the pond                     
all night long.

 
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